Jump to Artist by Letter
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Ray Anderson
Studio Number: 56a
I have been working with clay since I was a little boy. I started throwing pots on the the wheel in 1970 ... fell in love with the texture and earthiness. I love to center the clay which brings me back to my own center. Art saves lives. It keeps me engaged and inspired. I went to school for art with fantastic instructors - none more so than my first, Mrs. Morigushi. I was able to travel to Japan this year and furthered my understanding and spiritual aspect of this work.
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Mary Bartels
Studio Number: 16d
After 2005 to Pacific Grove a whole new world opened up to me when I began taking metal arts classes at Monterey Peninsula College. By 2020 I had completed the entire program and earned a Certificate of Achievement in Metal Arts. The passion for creating in metals has moved me out of the classroom and into my home studio where I now create my pieces. I am inspired by our tall trees and the Coastal breeze while I work. I am always collecting new stones to be set, and I can't wait for the next one!
Christina Beilby
Studio Number: 19
As an artist, I am always looking around me for that one image that reaches your heart, stays with you and inspires you to bring it to others in the form of art. I create by what catches my eye either for its colors, its uniqueness, its meaningfulness or its beauty.
- Phone:1730 Soto St, Seaside
- Email:Both Weekends
Araya Bergstein
Studio Number: 16a
I am a Thai self-taught oil painter based in Monterey, California. My work is inspired by the changing light, ocean air, and quiet beauty of the California coast. I paint colorful landscapes from around Monterey as well as expressive still life. Using bold color and layered brushstrokes, I aim to capture not only the place, but the feeling of being there. Each painting begins with observation and grows through intuition and emotion. Working from my small garage studio, I hope my paintings bring warmth, color, and a sense of place into people’s homes.
Paola Berthoin
Studio Number: 62
Paola’s art is about love of the land and rivers. Ephemeral light, patterns, shapes, movement, relationships of colors inspire Paola to respond to the innate urge to create, to be actively engaged in the dynamics of the natural world. Her art also encompasses dedication to protecting what she can, by actively caring for the land and its inhabitants, most specifically the RisingLeaf Sanctuary where she has lived since 1974. Paola’s life work is shared in the book Our Journey to Sustainability, How Everyday Heroes Make a Difference by Jon Biemer. Berthoin's watershed and animal paintings are collected nationally and internationally.
Brian Blood
Studio Number: 49
Brian Blood, a resident of Pebble Beach, California, is widely recognized as one of California’s most important plein air impressionist artists. He began his professional life as a graphic artist in Boston. Moving to San Francisco in 1985 which took him to the Academy of Art University for both a BFA and MFA. Blood was an instructor in the Fine Art Dept at the Academy of Art University for 15 years. Now a student of nature, he is constantly seeking to better his art. His work is aggressively acquired by collectors throughout the world.
Mark Bollwinkel
Studio Number: 33a
I experience art making as a spiritual expression. I have been inspired by the vision that artful craft should be touched and used as a part of daily life. It can reflect the textures of nature. It can connect the user to something greater than oneself. Ceramic art making has offered me the opportunity to encounter that mystery time and again. Each piece has a story. As do each of us.
- Phone:101 Fernwood Ave, Monterey, CA 93940
- Email:Both weekends
Paul Bollwinkel
Studio Number: 33b
I began creating decorative planters following a trip to Barcelona where I was inspired by Antoni Gaudi’s abstract, wildly colorful mosaics. Before long I expanded my vision to include wall art, trays, lamps, outdoor surfaces — anything I thought needed color. Whatever the materials - ceramic tiles, porcelain, glass, brokeen dishes - my work is based on a love of color and the often joyful and surprising ways multiple colors or shades interact.
- Phone:101 Fernwood Ave, Monterey
- Email:Both weekends
Cyndra Bradford
Studio Number: 47
Growing up in Big Sur, inspired me to paint what I love. With both Parents as professional Artists, and my five sibling. We were free to explore our incredible surroundings. It was only natural I would become an Artist. I paint with oils and palette knifes.Painting all prima “Painting without Fear” I like to capture the immediacy of the moment. In my experience of painting, the most truth and artistry lies in its inherent spontaneity. My art is essentially an attempt to communicate the beauty and joy of nature through the use of color and texture. My joy comes from the creative process of painting. Opened Galerie Plein Aire 1998 Close - 2025 Artist Member at the Carmel Art Association 1976 - current
Bobbie Brainerd
Studio Number: 32a
Capturing the light is my inspiration, whether painting still life, seascapes, landscape or California missions. Light is fleeting outdoors and one must capture it in minutes, whereas in still life, the artist has more time to watch the light caress each object, flowing into and out of shadow while also capturing the vitality of light defining shape and color. Light transforms and its essence is life. Using light, paint and canvas, I desire to paint beauty that transcends, transforms, and inspires others to see the beauty in our surroundings.
- Phone:110 Forest Ridge Rd, Monterey, CA 93940
- Email:Both weekends
Trudi Burney
Studio Number: 46b
After retiring from teaching ceramics in Silicon Valley, we answered the call of the ocean and have settled nicely on the coast where the sights, smells and sounds of the environment dictate my creative actions, the outcome is filled with marine focused garden works, tableware ladened with images of jelly fish, octopuses, fish and squid, and pieces glazed in the various colors of the sea. I also find much inspiration during my weekly shift at the Monterey Bay Aquarium where I study both the anatomy and behavior of ocean life.
- Phone:1313 Pico Ave, Pacific Grove
- Email:Both weekends
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Avery Cadence
Studio Number: 43a
Hey there! I’m Avery, a 17-year-old watercolor artist living in the coastal town of Monterey, California. As a young artist striving to grow my business, I look to the beauty of Carmel’s coast for inspiration, letting my creative mind run free. I sell and display my artwork in multiple local shops, including Sugar Farms Marketplace and Happy Girl Kitchen. Through my work, I aim to share the beauty I find in everyday moments, inviting you to experience the same sense of wonder and appreciation I do while bringing a little light into your day.
Jill Casty
Studio Number: 21
Jill explains her artistic journey: “I want to explore an art that is a festival and celebration. I want it particularly to be a celebration of the possibilities of the harmony that can be maintained in our continuing connection, threatened as it is, to the natural world. My sculptures are impressions in abstracted form of the essences of the beauty of nature, its wonders; or expressions of my emotional responses to moments shared with the natural world.”
- Phone:1729 Darwin St, Seaside, CA 93955
- Email:Both weekends
Alexan Cerna
Studio Number: 46a
- Phone:1313 Pico Ave, Pacific Grove
- Email:Both weekends
Joy Colangelo
Studio Number: 41b
Joy is a paper folder and watercolor/ink artist. Each book has an environmental theme showing a distinct sense of place. Each book design is as important to the storytelling as the content. Books are recyclable and priced to offer the philosophy of nature conservation to as many people as possible. An essential feature of artists books, especially folded books, is being able to hold, open and refold them.
Annette Corcoran
Studio Number: 45
My current work is still guided by birds in the ever-changing exploration of nature and clay; that is the interplay of observation, fantasy, imagination and technical skills. I embrace a process of experimentation in representing the movement and individual character of each bird. The clay medium is obviously one limitation and the bird's characteristics form is another kind of challenge. So the work often involves as much “technical” problem-solving as freely creating the elegance of the bird form. My work is domestic but not functional. It emphasizes the environment of the bird as a metaphor for the home.
Noelle Correia
Studio Number: 12
I am a mixed media artist navigating the world like a lamprey, moving through layers of image, memory, and material. My process begins with fragments from newspapers or magazines, developing into intuitive, rhizome-like compositions shaped by chance and discovery. This approach mirrors my lived experience—working through obstacles, arriving at epiphanies, and recognizing myself as part of a larger whole. My work responds to themes of human migration, cultural crossing, and dreamscapes, incorporating mass media as both material and subject. Through collage and watercolor, I explore how external realities are absorbed into the subconscious, documenting the shifting aura of collective memory.
Jeff Corrigan
Studio Number: 51c
As an artist I find myself dancing between abstraction and the natural world. I am inspired by the natural environment, including plants, agriculture, and the ocean. I also surround myself with books of all types and pull inspiration from them, and sometimes parts of the books end up in some of my pieces. I purposefully bounce back and forth between a few different mediums (oil, acrylic, printmaking, and collage) so that I can allow myself to continuously explore, be playful, and see how my ideas will translate differently through these mediums and evoke different feelings.
Carol Crandall
Studio Number: 57
Carol Crandall is a Carmel-by-the-Sea artist inspired by the natural world, creating mixed media floral paintings in acrylic. Her work is built through layers of color, texture, and intuitive mark-making, resulting in pieces that feel both expressive and serene. She is drawn to the balance between softness and vibrancy, allowing each painting to evolve organically. Her goal is simple-to create artwork that brings beauty, joy, and a sense of peaceful energy into everyday spaces. Carol can be reached through email [email protected]
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Kati D’Amore
Studio Number: 11
I am primarily a plein air painter, trying to capture the beauty all around us. I also do studio work on larger canvas sizes and pastel paintings. My work can also be seen at Venture Gallery in Monterey.
- Phone:3345 Conant Ln, Royal Oaks, CA 95076
- Email:Both weekends
Cyndy Davis
Studio Number: 35a
Cyndy Davis is a Monterey artist who has had a passion for art since she was 13 years old. She is a retired public school art teacher. Her joy is painting and experimenting to tell her stories, but her constant is a pen or brush in one hand and a passport in the other. She shows regularly in local shows.
- Phone:114 Don Dahvee Ln, Monterey
- Email:Both Weekends
Kathleen Deviaene
Studio Number: 64b
I carry with me a connection to European contemporary forms, shapes, colors, and styles. Clay offers authenticity and I try to show it in its raw and pure state with unglazed surfaces. Clay has convinced me it is ok to make many mistakes in life. Just like working with the clay body, we take back control and mold them into newer more exciting creations. Clay lends itself to joyful colors or subdued rustic tones, elaborate designs as well as minimalistic simple forms. It molds our mindset that anything is truly possible!
Barb Dill-Varga
Studio Number: 61
My work ---be it a photograph or an abstract painting --explores the boundaries where systems meet — where water reshapes stone, where land meets horizon, where shadow blocks light, where human intervention interrupts natural order. Through geometric structure, layered surfaces, and shifting color, I examine how forces alter form over time. Whether in painting or photography, I am drawn to moments of disruption — where stability yields, where patterns fracture, where transformation leaves its mark, where a frozen moment in time captures anticipation.
Nancy Donaldson
Studio Number: 39b
Nancy Donaldson PhD, RN (Retired), FAAN, formerly a clinical professor, UCSF School of Nursing, emerged as an artist a decade ago. Through community based art education and generous inspiration and mentorship from a cadre of established artists Nancy has grown in her mixed media artist journey, exhibiting regionally and locally. In 2025 Nancy co-authored the Art Start Backpack now available for families through the PG Library.
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Linda Elling
Studio Number: 51d
It is paramount that we protect and preserve our world: if I can capture a moment and a feeling of a particular space and time: I have succeeded. I am fascinated by the dichotomy in our world: light vs shadow, fluid vs solid, movement vs stillness; humanity in its habitat vs untouched nature. These differences, tensions if you will, are what draw me to a particular scene. It is what I strive to portray in order to infuse my painting with visual interest and feeling. I want the viewer to feel as immersed as I do when I am painting.
Suzanne Elliott
Studio Number: 37b
I never tire of creating new art from everything I see around me each day. The play of light and shadow, the fleeting inspiration of everyday life are what make me glad to be alive in this place of great beauty each day.
- Phone:114 Don Dahvee Ln, Monterey, CA 93940
- Email:Both weekends
Thea Evans
Studio Number: 42b
As a young child, I learned the art of crochet to create small, stuffed animals called arimigurumi. As a teacher of mathematics and music, I studied human information processing and development. As a mother of four girls, I returned to crochet. My intention was to create pieces which stimulated neurological and sensory development while keeping an eye towards ease-of-use. My journey continues. Crochet alone, as a fiber art, cannot be machine-made. With only hook and yarn, each piece, through the use of color, shape, pattern and texture, speaks to babies and adults alike. Each piece is handmade and unique.
Kelly Evans
Studio Number: 43c
I love faces of all kinds and adventures to capture them! I approach every subject I take pictures of as a portrait whether, people, salads or seaweed. If you’d like to view my most recent published work, pick up an Edible Monterey Bay. Come and meet me to check out some of my other portrait sessions and we can schedule yours! kellyevansportraits.com
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Celeste Gitthens
Studio Number: 18
CELESTE GITTHENS is based in Seaside, CA. Her acrylic & mixed media dramatic landscapes capture the vibrancy of the magnificent Monterey Bay and highlight emotional recollections from her adventurous travels. Celeste’s interpretive abstract paintings reflect internal movement and expansion arising from her mindfulness studies and practice as an intuitive Tarot reader. Celeste credits her love for painting to her high school art teacher in Pennsylvania, Jake Jacoby. She has continued painting alongside her career as a television and film makeup artist in Los Angeles, and later as a Bay Area educator. Now retired from teaching, she is a promising emerging artist.
- Phone:1685 San Pablo Ave, Seaside, CA 93955
- Email:Both weekends
Diane Grindol
Studio Number: 39a
Diane Grindol enjoys portraying the beauty of the Monterey Peninsula. If you feel any sense of her awe at the nature surrounding us from her work she is happy for that. At the same time, looking for that beauty continuously makes life very rich. Diane approaches watercolor as not the most difficult media, but the most playful and joyful.
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Mary Hill
Studio Number: 52
I grew up drawing, always wanting to be artist! Collage art was abstract based, so I gave up. Photography ended up being my field of art. Only recently was I encouraged to start drawing again. See my drawings and photography in the Studio Tour September 12 and 13.
Nikki Hoff
Studio Number: 51e
Nikki Hoff is a Monterey Bay-based painter, sculptor, and charcoalist. Hoff's artwork embodies this theme, offering a contemplative journey through familiar landscapes and structures that resonate with personal and collective histories. She is known for her contemporary and eclectic charcoal and acrylic works; her unique perspective transforms familiar subjects into thought-provoking reflections. Her artwork invites deep contemplation, inviting the viewer to immerse themselves and escape to another world with her “Decades” collection, a dimensional sculpture featuring different environments. She has artwork located in the Monterey, Santa Cruz, and Capitola areas.
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Monica Johnson
Studio Number: 59
Monica Johnson creates contemporary abstract mixed-media paintings that explore cycles of movement, transformation, and inner light. Her work is built through layered surfaces, collage, veiled text, and hand-etched brass circles that rotate by touch, inviting quiet interaction. Inspired by nature, seasonal rhythms, and inner landscapes, her paintings reflect moments of stillness, reflection, and renewal. Through subtle shifts of color, texture, and form, Johnson creates contemplative spaces that encourage viewers to pause, slow down, and reconnect with their own sense of presence.
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Kiran Kamath
Studio Number: 55c
“I love the interplay of color and texture, and the creative freedom that abstract painting offers” says Kiran Kamath. She is inspired by nature, emotions, and things around her as she continues to hone her skills. She enjoys the process of exploration, evolution, and creation in expressive abstract painting. Kiran began painting in 2019 after a career in academia and in the travel industry. After she retired, she wanted to do things she had never done before. Since her career demanded mostly left-brain-oriented work, she was eager to explore right-brain-oriented avocations. She took classes in ceramics and painting and knew “this was it!” when she began painting. She is transported to another world and blisses out when she has her “flow moments” while painting. Her home studio is her “happy place” where she loves to explore new ideas, textures, and unconventional tools. She enjoys the process of layering and creating depth in her paintings with vibrant colors, texture, and collage on canvas and on board.
Cheryl Kampe
Studio Number: 41a
Cheryl found an early interest in art from a joy and fascination with interpreting a visual scene onto paper. Twenty years ago she had the chance to devote herself to art by setting out to learn the techniques of watercolor. She studied with several leading artists in the Bay Area, while painting daily to developing a personal style and increasing expertise with different medium. She has expanded her skill to include acrylics pastel and oils and continues to challenge her creativity and skill as an artist.
Tamara Keiper
Studio Number: 32b
Creator of original artwork for over forty years, experienced in multiple mediums and subjects. Background in Architecture, Portraits and landscapes. Available for teaching classes and workshops.
- Phone:110 Forest Ridge Rd, Monterey
- Email:Both weekends
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Nancy Larkin-MFA Mural
Studio Number: 36
Debbie Leifried
Studio Number: 38
Acrylics on canvas
- Phone:351 Laurel Ave, Pacific Grove
- Email:Both weekends
Javier Lopez
Studio Number: 1b
Javier Lopez Jr. artist born in Salinas CA and raised in South Monterey County. He paints in oils and acrylics to create representational work of landscapes and people, aiming to interpret his experience living in Monterey County. From the colorful agricultural fields, hills and mountain ranges, to the beaches, he takes images from scenes and people in his day-to-day life, and works to capture those fleeting moments with paint on a surface.
Jayne Lord
Studio Number: 25b
As a 4th generation Monterey County native on both sides of the family I was raised surrounded by wonderful relatives and the majestic beauty of the valley, mountains and coast, which instilled within me a deep appreciation and sensitivity for the visual gifts of home. I love color, painting with joyful abandon and incorporating 'juicy' brushstrokes and palette knife marks that create energy in my paintings. While attempting to capture the beauty found in the simple moments of daily life, painting invigorates and fills me.
- Phone:1281 4th St, Monterey, Ca 93450
- Email:Both weekends
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Ariel Mar
Studio Number: 3
My name is Ariel Mar. I grew up in the Salinas Valley, where I developed a love for the land, mountains, and culture that shape our communities. In 2010, I moved to LA to study Illustration and Design at Art Center College of Design in Pasadena. I lived and worked in LA for ten years, gaining experience in art stores, print shops, and teaching. During that time, I discovered the importance of sharing resources and access. In 2020, I returned home with the goal of continuing that work and creating impact within our community here.
Edi Matsumoto
Studio Number: 53
My work blends classical realism with imagination and storytelling. I paint expressive portraits and figures, but I’m also known for my whimsical Otter Therapy™️ series—playful sea otters reimagined in iconic artworks and cultural scenes. By combining technical realism with humor and charm, I hope to create moments of connection, curiosity, and joy. After nearly 30 years working in healthcare, I believe art can be deeply healing. Whether through a meaningful portrait or a mischievous otter, my goal is simple: to make people pause, smile, and feel a little lighter.
Gordon Mayfield
Studio Number: 41c
Art is seeing. I like painting in the wild landscape. My watercolors reveal my emotional interpretation of cliffs dropping to the sea, or the silent rock sentinels surrounding a mountain lake. They offer the audience a bridge between Nature and Spirit.
Marie Mcgowan
Studio Number: 63
I paint and quilt, switching between projects according to my creative impulses. My favorite paint medium is realistic watercolor, I have recently enjoyed Acrylic Fluid Art as an abstract challenge. I am an avid quilter for 30 years designing and quilting my one of a kind Quilts.
Allison Mendoza
Studio Number: 29
A Thank You I owe my love of the holidays to my Mom, who made magic year after year. Interior Design, decorating, and crafting and painting are my passions. I thank my Dad for instilling his love of nature. As a result I use objects and ideas from my environment and home. Shells, the ocean and our beautiful community inspires me.
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Bunny Paivine
Studio Number: 8
My techniques described by my "Senior" students are Methods of Madness. I do a lot of finger painting and palette knife work. Experimenting with combining colors directly on the canvas frees my process and creates happy accidents and "Illusions of Perfection" in my art.
Irene Patton
Studio Number: 44a
I am a goldsmith who also makes tableware in sterling silver and who loves beads! All kinds of gemstones, Venetian glass and pearls are in my original designs. With a history in the Caribbean, my designs also reflect coastal beauty.
Peggy Davidson Post
Studio Number: 51f
My art career has taken me on a journey through the beautiful places I've lived, expressed in pastel and oil. My artwork has traveled too, in exhibitions in locations up and down the East and West Coasts. I search for paintings on walks beside oceans, forests and streams. My artwork allows me to notice and to explore the world. Much of my work relates to observations of water as it obscures, reveals, and reflects. Noticing nature, weather and geography as well as people in the landscape sustains me. I cannot imagine a life without art.
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Phoenix Redstone
Studio Number: 20
My work as an artist is as varied as the full life I’ve lived. I love constructing large textual abstract pieces that invite the viewer to see what they see moving from the micro to macro worlds interchangeably. Pieces that mimic patterns in nature, rivers from above similar to roots of a tree or veins in our bodies, everything is connected. I also spend time creating illustrative nature or cozy scenes to take a break from my abstract work and visa versa.
- Phone:1729 Soto St, Seaside, CA 93955
- Email:Both weekends
Deborah Rich
Studio Number: 25a
My paintings are my response to what I am observing, to how the paints are handling, to the changing light, and to what is percolating in my growing art knowledge bank. I often set myself a color or compositional challenge - such as creating the greatest sense of space within the picture plane - and appreciate when remnants of the development process, or even of a prior painting, manifest in the final outcome. I treasure every aspect of painting - from studying, to mixing paint, to drawing, to interacting with collectors - and am deeply grateful for the gift of the passion for painting.
- Phone:1281 4th St, Monterey, CA 93940
- Email:Both weekends
Paul Richmond
Studio Number: 16f
In my work, painting becomes a space for connection and emotional honesty. I’m drawn to the tension between strength and vulnerability, using the human figure to explore identity, intimacy, and transformation. Layers of color, gesture, and texture allow each piece to evolve intuitively, revealing moments that feel both personal and universal. I approach the studio as a place of experimentation, where imperfections and unexpected shifts become essential to the process. Through these paintings, I hope to create experiences that encourage empathy, curiosity, and reflection, inviting viewers to consider the emotional complexity we carry beneath the surface.
Donna Robbins
Studio Number: 30
The love of the Monterey Peninsula, its beauty and history, is the inspiration for her work. Viewing her work can bring you to the moment she painted it, the mist in the morning, the splash of the wave, the quiet sun on a serene sandy cove. Sharing this beauty, which we sometimes miss, is the reason she paints. Donna has been painting en plein air for over twenty years. She received a BA in Fine Art from the University of Washington and has continued her studies via professional artists' workshops.
Holly Rose
Studio Number: 55b
Bio on website hollyrosestudio.com
France Ruhnke
Studio Number: 64a
France Ruhnke is a French American contemporary mixed media artist. Her artwork encompasses contour drawings, abstract and sculptural 3D oil paintings, wire sculptures and modern shadow boxes. Paper, canvas, fabric, gold leaf, paint, ink, natural flowers, feathers, egg shells, French literature, map fragments and wire are used to preciously explore the delicate essence and elegance of nature’s colors, light, flow, movement and transparency. Her work is said to be ethereal, bringing joy and touching emotions. She welcomes the public in her countryside studio in Carmel Valley all year round and accepts commissions.
- Phone:35 Encina Dr, Carmel Valley, CA 93924
- Email:Both weekends
Sally Russell
Studio Number: 56b
Raised amidst the rugged beauty of the Monterey Peninsula, Sally Russell’s creativity was shaped by the vibrant energy of California’s coast and her bohemian heritage. Her great-great uncle helped establish Carmel-by-the-Sea, a place that continues to inspire her work. Her artistic expression spans abstract, sculptural paintings, ceramic totems, mixed media sculptures, and functional tableware.
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Catherine Santiago
Studio Number: 50
Living on the Monterey Peninsula, I am inspired by its beauty every day. After retiring from a 40-year career in the insurance industry, I had more time to take those daily walks and soak up the scenery. With time on my hands and motivation from my surroundings, I started taking painting classes and workshops whenever possible. My painting journey has really just begun. I've been working with acrylics, both in my home studio and outdoors. My paintings include quiet moments in interior and still life settings as well as seascape and landscape locations you may recognize.
Marie Schaefer
Studio Number: 34
I am influenced by the beauty I find in nature and express myself in both jewelry making and soft pastel paintings.
- Phone:409 San Bernabe Dr, Monterey
- Email:Both weekends
Svea Scholten
Studio Number: 31b
I have been creating handcrafted, one of a kind sterling silver jewelry out of my home studio located in Capitola by the Sea, for the past 10 years. Nature has a strong influence on my design, so you’ll find flowers, leaves, and ocean inspired creations in a lot of my work.
- Phone:35 Via Del Pinar, Monterey, Ca 93940
- Email:Both weekends
Sally Schuman
Studio Number: 40
My art study began in 2016 in Providence, Rhode Island. After two years of intensive drawing work, I moved into painting on canvas and on paper with acrylic paints. In the summer of 2025, after returning to the Monterey Peninsula, I was inspired to use my earlier works as material for collage. When I cut and tore and assembled shapes, some intentional, some very pleasant accidents, I was captivated by the process and in many cases the final products. Some of these collages are what I will hang in my backyard studio for the 2026 tour.
- Phone:621 Pine Ave, Pacific Grove, CA 93950
- Email:Both Weekends
Al Shamble
Studio Number: 15
Al Shamble is a contemporary California landscape and seascape painter. He is drawn to the light and majesty of the Sierra Nevada Mountains and the magnificence of the great Pacific Ocean. He paints in a realist style with a flair of impressionism. He schedules and leads weekly Plein Air painters to interesting Monterey Bay area locations. As an environmentalist, he hopes that his Plein Air and Studio pieces convey the need to recognize and preserve our beautiful natural resources.
Gloria Shaw
Studio Number: 16c
My goal as an artist is to affect my viewers on as many levels as possible - emotional, intellectual and spiritual. I spent many years as a teacher of dance and drama before creating my visual art full time. I have always found that my experiences in choreographing and directing have been very compatible with my work in painting and printmaking. The paper I work on is like a stage. And the same use of space, line, and rhythm I used to move performers around the stage now move the eye of the viewer around the work of art.
Gloria Shaw
Studio Number: 55a
My goal as an artist is to affect my viewers on as many levels as possible - emotional, intellectual and spiritual. I spent many years as a teacher of dance and drama before creating my visual art full time. I have always found that my experiences in choreographing and directing have been very compatible with my work in painting and printmaking. The paper I work on is like a stage. And the same use of space, line, and rhythm I used to move performers around the stage now move the eye of the viewer around the work of art.
Tommy Shearer - Metalistic Designs
Studio Number: 51g
Tommy Shearer’s metal art is rooted in a deep exploration of material alchemy and manipulation, transforming copper, steel, and aluminum with acids, dyes, paints, natural elements, and the controlled application of extreme heat to unlock their expressive potential. Tommy’s abstract-whimsical paintings are a visceral symphony of texture and chemistry that unfolds across its surface, transformed into a kaleidoscope of color and reaction. The foundation is unapologetically tactile, a terrain of ridges, craters, and sediment-like buildup that invites touch as much as sight. Acids and pigments etch and corrode, leaving ghostly halos and unpredictable fractures, a dance between control and chaos.
Michael Sherman
Studio Number: 16e
In college Michael studied graphic design with a focus on ad art and airbrush illustration. A chance elective class in jewelry making sparked his interests in design and making of gold and silver pieces. I am receiving new commissions and requests for items from the web site daily.I am seeing local and visiting clients at the office in Monterey by appointment on Saturdays and Sunday. I am still able to give our long time and new clients a ” One-Of-a- Kind” jewelry experience. I hope to hear from you soon.
Connie St. Amour (for Maurice O'Meara)
Studio Number: 42a
Before he started painting 25 years ago, Maurice O'Meara had written hundreds of poems in French, his preferred language as a French professor. He defined POETRY as "the wonder of passion and pain set to the music of words that sing." The element of color was pervasive in his poems, and this has carried over into his paintings. In defining his PAINTING, he might say it's "expressing the beauty and complexity of nature and human society with forms and colors that excite the senses and touch the soul."
Karen St. James
Studio Number: 17
My artwork is an exploration of collage with acrylic on canvas. All of the materials used are created by me or painted directly on the canvas. Each piece celebrates the interplay of color, from monochromatic palettes to vibrant hues that burst across the canvas. With paper and paint I combine both geometric and abstract formations, resulting in compositions rich in depth and visual appeal.
Janaka Stagnaro
Studio Number: 54
My work is contemplative in nature, creating both local and imaginary landscapes. I like to work in a variety of mediums, which primarily include oils, acrylics, watercolor, chalk and oil pastels, colored pencils, charcoal, and graphite. As an art teacher, I like to be proficient in multiple media for my students and to keep my work fresh with experimentation. The medium I use will influence the style of the piece. I may use photographs or sketches, but much of my work will arise spontaneously out of a play of colors, light, and shadows.
Karina Svalya
Studio Number: 43b
I embrace painting as a calling from God. I would like to claim the process of painting as a form of prayer. Studying my subjects and working to render them through line and color feels like an expression of worship. By representing creation, my paintings can be seen as an extension of creation's praise to God.
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Debbie Tanimura
Studio Number: 16b
From CEO to Chain Master I have a rich background in corporate leadership, having served as a CEO for 18 years before founding Designs by Myriad. After retiring, I learned traditional fabrication techniques at Monterey Peninsula College, which included chainmail. I started combining modern designs with historical chainmail patterns to create exceptional jewelry made from sterling silver and 14/20K gold. Each piece of jewelry I produce is designed to be distinctive and satisfying to the touch, so you can rest assured that the jewelry you purchase from me will be unique and special.
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Carlos Villagomez
Studio Number: 1a
My work centers on the human figure as a vessel for vulnerability, stillness, and quiet transcendence. Drawing from classical aesthetics, allegory, and religious iconography, I create compositions that balance immediacy and restraint. The body becomes a site of contemplation—where presence, memory, and connection unfold. Through controlled light and subtle symbolism, I invite viewers to look beyond the surface and sit with what is unresolved, exploring the tension between what is seen, felt, and understood.
- Phone:634 Heirloom Pl, King City, CA 93930
- Email:Both Weekends
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Christine Watten
Studio Number: 51a
The inspiration for my artwork comes from elements of nature: trees, branches, wings, birds, clouds. Surprising patterns I find in the swirl of coffee foam, the appearance of form in shadow or birds in flight connect me to the moment, conveying a sense of spirit, emotion and meaning. I reinterpret these through monotypes using stencils or collage material, serigraphs painting and ceramics as well. Painting the landscape plein aire in the last decades has been a grounding rod for me, connecting me to California land. Recently I'm motivated by abstract and symbolic expression amidst ever changing realities.
Usana Weaver
Studio Number: 32c
Over the past many years, I have been painting exclusively in the medium of oil on canvas. I create alla prima and classical oil paintings. I have travelled extensively to some of the world’s most inspiring places. This has enabled me to spend time in nature and to experience and paint great architecture. Art has brought great joy into my life. The natural course for me as an artist is to share my work with others.
- Phone:110 Forest Ridge Rd, Monterey
- Email:Both weekends
Patti Wells
Studio Number: 44b
I take inspiration from the Japanese esthetic of form and function, and particularly from the wabi-sabi concept of the beauty of the imperfect. My jewelry has a certain primitive quality that acknowledges the quiet, worn esthetic of imperfection. It is intentional. My jewelry is made of sterling silver, red brass, copper and enamel, as well as occasionally some images from Japanese art. I feature many patterns from Japanese border prints, which I roll-print on to the sterling pieces.
Penny Whent
Studio Number: 37a
I currently paint abstract expressionist landscapes inspired by the beauty of the Monterey Peninsula and surrounding areas. I am primarily self-taught and have been represented by various local galleries including Grove Homescapes Gallery in Pacific Grove, Gallery One in Big Sur, American Art Gallery in Carmel, Homescapes Gallery in Carmel, Monterey Bay Artisans Gallery in Pacific Grove, and 480 Lighthouse Gallery in Pacific Grove. I paint full-time in my home studio alongside my husband, Thomas Whent, and our work can be found at “whentstudios.com”. I work in acrylics on canvas and my daily endeavor is to make beautiful art.
- Phone:770 Taylor St, Monterey, CA 93940
- Email:Both weekends
Thomas Whent
Studio Number: 37b
Thomas creates splatter abstract paintings combining layered color and heavily textured surfaces and also works in a folk art style, using bright palettes, flattened perspectives, bold forms, and pointillist details. . With a background as a California General Building Contractor, Thomas takes a hands-on approach to materials. He uses acrylics and mixed media, sometimes applying a thick impasto with a masonry trowel to create sculptural surfaces and also adding various collage elements to his folk art. This mix of materials and painterly techniques gives his art a distinctive physical presence. His work is tactile, vibrant, and emotionally resonant.
- Phone:770 Taylor St, Monterey, CA 93940
- Email:Both Weekends
Elizabeth Wrightman
Studio Number: 51b
I paint from Irish literature ;it gives me the sense of both mystery and play. I have a history of doing tapestry weaving, but too much love of drawing to do it often. Connection with my heritage became so real to me during COVID. I was contacted by the James Joyce Center in Dublin, itself ,asking to use one of my paintings for their annual Blooms Day Festival. it was digital due to the pandemic, and my Molly Bloom painting was a part of their virtual celebration. In 2022 I then went to Dublin, myself ,presenting 12 images from Ulysses .
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David Zappacosta
Studio Number: 31a
I began working with Stained Glass in 1977, and produced seven pieces in homes that I designed and built in Los Gatos and Saratoga, California as a General Contractor. I graduated from San Jose State in 1973 with a B.A. in Art Painting and Art History. After graduation I studied Art History in Greece, and Art Painting in Italy. Recently, I have returned to Stained Glass designs producing over twenty new pieces. Some of these are modern, abstract, and original designs, and others are portrait and small versions of church windows from an ancient chapel outside of Lausanne, Switzerland.
- Phone:35 Via Del Pinar, Monterey
- Email:Both Weekends