The 1920s marked a decade of bold reinvention as composers responded to a rapidly changing world with wit, clarity, and new musical languages. Works by Poulenc, Martinů, and Stravinsky capture the energy of the era—from Parisian surrealism and jazz-inflected dance to the crisp lines of neoclassicism—revealing three distinct voices shaped by the same moment in […]

Baroque music forms the foundation of the Carmel Bach Festival, and this program honors that tradition. J.S. Bach’s Cantata No. 39, Brich dem Hungrigen dein Brot, and Cantata No. 105, Herr, gehe nicht ins Gericht, showcase his mastery of choruses, arias, and recitatives, blending intricate musical craft with profound spiritual and moral themes. Antonio Lotti’s […]

Held at Church in the Forest, a striking venue nestled among the cypress and pine trees of Pebble Beach, this concert features two landmark string quartets: Beethoven’s String Quartet No. 10, the “Harp,” and Mendelssohn’s String Quartet No. 1, a work that balances classical structure with Romantic intensity.

This program brings musical worlds together in one exhilarating evening. Festival favorites Fire & Grace—Edwin Huizinga and William Coulter—are joined by mandolin luminaries Mike Marshall, long celebrated for his Brazilian collaborations, and Caterina Lichtenberg. Experience Bach’s brilliance as it meets bluegrass drive and the rhythmic warmth of Brazil.

This concert features French composer Joseph Bodin de Boismortier’s cantatas inspired by the seasons, written around the same time as Vivaldi’s Four Seasons. Scored for voice, obbligato instrument, and continuo, they explore music’s ability to depict the changing seasons and the natural world.

Bach Cantatas features two expressive works by J.S. Bach—Christ unser Herr zum Jordan kam, BWV 7, and Cantata BWV 187. Rich in theological depth and musical invention, these cantatas showcase Bach’s gift for illuminating text through vibrant choral writing and nuanced instrumental color.

Beethoven subtitled his Pastoral Symphony “Recollections of Country Life”. Each of its five movements depicts a countryside scene. The first movement conveys the calm joy of arriving in the countryside, with gentle, flowing melodies. The second evokes a babbling brook, while woodwinds mimic birdsong. In the third, people dance and celebrate with lively rhythms. The […]

This program traces how composers use music to explore our deepest responses to the world — grief and wonder, chaos and order, sorrow and joy. The journey begins in darkness and disorder: Purcell’s Music for the Funeral of Queen Mary confronts mortality, while Rebel’s Les Élémens erupts from a single “Chaos” chord, giving form to […]

Enjoy a morning of organ music in the historic Carmel Mission Basilica. Performed by Andrew Arthur, the Festival’s Principal Organist and a member of the Artistic Leadership Team, this recital highlights the beauty of Bach’s works as well as works by Heinrich Scheidemann & Georg Böhm.

This program features music by John Dowland, one of the most influential composers of the English Renaissance, marking 400 years since his death. Focusing on his celebrated lute songs, the concert explores themes of love, loss, time, and nature that made Dowland famous throughout Europe.

Step into Paris at the turn of the 18th century, when candlelit salons and royal courts were filled with elegant, expressive music. Works by François Couperin and Jean-Féry Rebel capture the refined beauty, rich harmonies, and vivid character of the French Baroque, offering a glimpse into the sound world of the city alive with new […]

Vivaldi’s Four Seasons is a set of four violin concertos paired with short poems that describe the scenes each movement depicts: birds singing, dogs barking, storms breaking, and people celebrating. Vivaldi brings these images to life with musical details such as trills for birds, a repeating viola line for a dog, droning lines for Summer’s […]

This concert features 19th-century works for fortepiano and mandolino by Beethoven, Hummel, Giuliani, and Carulli. The program highlights the interplay between the two instruments and the elegance of early Romantic chamber music.